He works with left-of-center artists like Tyler, the Creator, Earl Sweatshirt, and Flying Lotus, and he’s starting to get the critical love that they do.
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Mac changed in a hurry, though, and his music is funnier, weirder, and altogether doper, especially when it sounds totally removed from commercial expectations (see Mac’s Quasimoto-like Delusional Thomas project). 1 on the Billboard 200 since 1995, but it didn’t fare well with critics to say it got “bad reviews” doesn’t do it justice. His Blue Slide Park became the first independently distributed debut album to reach No. It’s been a journey for him to get to this point. Mac sounds like a rap star on his third album and major label debut, GO:OD AM, but one with a nonchalance more comparable to ASAP Rocky on At. or Rick Ross on Black Dollar than any cheap radio grabs that might be expected of him as a new Warner Bros. While it’s true he “killed the game like Jeffrey Dahmer did the ‘80s” (as he puts it on his new album’s Juicy J-featuring “Break the Law”), it didn’t exactly garner him lasting respect from the rap world at large. “You was Easy Mac with the cheesy raps,” jabbed battle rapper Loaded Lux during an interlude on Mac’s sophomore album, Watching Movies with the Sound Off. But his music, while invigoratingly youthful at its best, was glaringly juvenile at worst. He seemed genuinely interested in hip-hop, a teenager who liked A Tribe Called Quest and Big L. The Pittsburgh rapper was too young when he first got rich and famous. Mac Miller has won a lot of people over, roughly as many as he had in the first place.
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